COLT Icons - Byron Hawkwood

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COLT Icons

COLT Icons - Byron Hawkwood

From the most trusted name in all-male erotica and continuing to set the standard in masculine appeal, COLT Studio Group and it's COLT Men are a cut above the rest. Standing at the apex of sexual expression, the men of the COLT Icon Series are the cream of the crop.

Blessed with a head full of thick brown hair, a body covered in rock-hard muscles and an ass sculpted from stone, COLT Man Byron Hawkwood has a drop-dead sexy look that is all his own. Confident and self-assured, Byron's masculinity oozes from every pore. With his perfect cock, his smoldering sexy stare and a mustache that would make any highway cop jealous, COLT Man Byron Hawkwood holds his own in this collection of rarely seen images from the COLT Vault. See for yourself what makes this COLT Man an Icon.

Starring Byron Hawkwood
  • Updated : 2014.05.08 |
  • Length : 02:32 min |
  • Views : 1233
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The first movie under John Rutherford's direction at COLT studio, after purchasing the studio in 2003, was RELOAD. Making a hardcore COLT Movie of this quality certainly required some dexterity. The production had its challenges due to the underwater sex sequence involving Marcus Iron and Rob Romoni. Rutherford wanted to push the boundaries with the ways viewers got to look at COLT Men by staging innovative shots of underwater penetration. Award-winning videographer, Todd Montgomery, used an underwater camera to capture the scenes up close far before anyone else in the industry was doing it at the time. The scenes were seen up close and the performers were very excited to try something new. The COLT Movie RELOAD and its underwater scene will be one to remember.

The mood on the COLT Movie set was overall very positive, as each of the guys knew they were making history and helping to take COLT Studio in a great new direction for the new owners. Of course, having the opportunity to participate in so much man-on-man action, with a group of muscular men, was also an incentive to do great work on the set.